Title: Mia the Magnificent: The Mia Fullerton Series

Author: Eileen Boggess

Genre/Pages: YA*/161

Publication: Bancroft Press; January 4, 2010

Rating: 1.5 BOOKMARKS

Source: Review copy courtesy of Harrison at Bancroft Press

16-year-old Mia Fullerton faces all sorts of challenges in sophomore year, and if she can make it through unscathed, it will be a miracle.

Mia the Magnificentis the third installment of a YA* series by Eileen Boggess, and I was eager to see if it would be an appropriate read in any of my high school English classes.  Boggess has a great premise–a strong female protagonist who faces the same sorts of challenges that many teenagers face–but ultimately, the book just doesn’t deliver. 

The book is wholesome and filled with conflicts and obstacles but won’t resonate with most teenagers because it’s too juvenile.  Mia the Magnificent appeals to a younger audience–a ‘tween’ demographic–but with some editing and  new cover art, it would have broader appeal. 

I don’t enjoy writing critical reviews and wanted a second opinion, so I brought the novel to school and introduced it, along with two other YA books, to my 10th grade class.  I was interested to see if they would agree with my thoughts on the cover art and dialogue.  (They didn’t read the books–we only discussed them based on excerpts and covers.)

For the last 11 years, I’ve spent thousands of hours teaching, listening to, and counseling teenagers.  On the whole, teens are savvy, honest, and looking for validation as they muddle through the in-between world–no longer kids but not yet adults.  Experience has honed my skills for finding YA books that my students will enjoy and on this authority I submit the following unorthodox-for-me critque of Mia the Magnificent:   

  • Cover Art:  The cover art for this novel suggests a juvenile genre–Middle Grade–rather than YA.  Many popular YA books feature slightly out of focus stock images of teenage girls, their faces blurred or obstructed, so that readers can project themselves into the situation.  When I showed this novel to my class, they thought it was a book for late elementary or middle school students and preferred the other covers pictured below.  They thought the cartoonish cover was “cute” but not sophisticated enough to make them grab it off the shelf at the bookstore.    
  • Dialogue and Stock Characters:  Much of the dialogue in this novel felt forced–an adult interpretation of how teenagers speak.  I’ve never heard my students say things like, “What are you cheezin’ about…”, “…totally awesome tunage (music)…” or, “Only you…could take a kiss and crash story and turn it into the snooze of the century.”  Boggess also used similes and metaphors on almost every page.  Characters “…bounced up and down like canary-colored yo-yos” and and their logic was compared to the Titanic after hitting the iceberg–”…completely full of holes…”  Some characters, especially Jake, a former boyfriend of Mia’s, was a watered down parody of a bad boy.  I never really connected with Mia as a character and found her to be a bit prickly to most of the other characters.
  • Predictable Plot:  At 161 pages, this novel is a quick read but I felt like it was slow-moving despite many conflicts and developments.  There’s a car accident, a crisis at the school musical which thrusts Mia into the spotlight,  and girl-fights over boys.  Boggess tries to create a tension-filled love triangle, but one guy, Eric, isn’t around enough to really compete for Mia’s attention.  The book is relatively clean–just a few kissing scenes and minimal profanity.  There is a religious undercurrent that could be a turnoff for some teens but isn’t so overt that it renders the book unreadable for those who don’t subscribe to the dogma. 

I’m sure that Boggess has a niche audience of  ‘tweens’ and teens that adore the series, but for the books to have wider appeal, I’d suggest changing the covers, making the dialogue more realistic, giving the secondary characters more dimensions and depth, and letting Mia mature a bit through more sophisticated and complex conflicts and resolutions. 

Thanks to Harrison at Bancroft for sending me this novel.

* In my opinion, this book is more of a late-middle grade read (grades 6-8).

Home Sweet Home

It would stand to reason that my husband and I, avid readers and road trip fanatics, might bring these two loves together and plan an epic journey–an odyssey, really–to visit famous literary sights across the country.  We wouldn’t be hard-pressed to find places to visit; the homes of many famous American authors are now turning tidy profits as museums.

But this inspired idea didn’t strike me until today.

In 2008, instead of visiting the home of Mark Twain (adulthood home in Hartford, CT, childhood home in Hannibal, MO–both are museums), we lined up to pay homage at the home of another famous American…Elvis Presley.  Neither of us are Elvis fans–I was 3 when he died–but a strange Elvis-fever afflicts all visitors to Memphis, and we were not immune.

Which is how we found ourselves parting with obscene amounts of cash to tour Graceland.  Elvis-fever was particularly strong with me, bestowing powers of coercion that a Svengali might envy.  I sweet-talked Anthony into upgrading our paltry Mansion Tour tickets to the Graceland Platinum Tour.  Sadly, he balked at the Elvis Presley Entourage VIP tickets ($69 plus tax).

It’s lamentable that after leaving Memphis, we drove south to New Orleans without stopping in Oxford, MS to see Rowan Oak, home of author William Faulkner.

Last year’s trip borders on negligence when you consider that we meandered south from Vermont through Massachusetts on Route 91, a stone’s throw from the homes-turned-museums of Emily Dickinson, Herman Melville, and Edith Wharton.  At home, we’re only three hours from Baltimore, an easy drive to a house-turned-museum where Edgar Allan Poe lived while in his 20s.

So why don’t we try to absorb some literary culture by visiting these museums?

To be honest, I’m afraid they’ll be reminiscent of the “museums” my dad used to drag my sister and me to when we were kids.  Dad had two requirements for these outings: they had to be educational and free.  We were often the only visitors to the musty, one-room exhibits and my father would prattle away with the museum employee while my sister and I reconnoitered for rusty forks or sharp implements to poke into our eyeballs.

We grew up less than an hour from New York City and Philadelphia, so it wasn’t that world-class museums and art galleries were out of driving distance, they were just out of my miserly dad’s budget.

Based on the beautifully designed websites, it would seem that homes of famous authors pull in serious money.  Have you ever visited a literary landmark or author’s home? If so, I’m eager to hear if it’s worth the time and money.  Summer’s almost here and I wouldn’t want to squander my vacation fund on another trip to Dollywood if Rowan Oak is all that the website promises!

Title: Admit One

Author: Emmett James

Genre/Pages: Nonfiction, Memoir/197

Publication: Fizzypop Productions, LLC; February 1, 2010

Rating: 3.5 BOOKMARKS

Source: Review copy courtesy of Lisa Roe of Online Publicist

A witty and entertaining memoir that details one Englishman’s life-long love of the cinema and experiences working as an actor.

Films have always played a defining role in Emmett James’s life, and his memoir, Admit One, takes the reader from his early childhood in South London all the way to sunny Los Angeles where, as an adult, James makes inroads into show business.

At the start of each chapter, James highlights a movie that had an impact on him, providing a succinct synopsis and starring cast information.  From there, Emmett entertains with humorous vignettes of his child and adulthood, drawing parallels back to the movies.

My husband is a huge movie fan and he and James seem to share the same taste in celluloid magic.  I found myself reading whole pages of the book out loud, especially those with references to Star Wars, Indiana Jones, and Amityville Horror.

James’s conversational tone and very English turn of a phrase brought to mind a few of my favorite non-fiction writers.  His honesty and self-deprecating humor were welcome, as were his interesting forays into the magic of Hollywood.  He offered up some interesting tidbits and a behind-the-scenes peek at being part of the cast of Titanic, one of the top-grossing films ever made.

I found the beginning and ending of the book to be the strongest, while the middle dragged a bit.  Also, I loved the idea of carrying the film theme through the whole book but felt a few chapters, especially ‘Coming to America‘ and ‘Ghostbusters’ were just vehicles to move the story along without really drawing parallels from James’s life to the movies.  In other chapters, he really explains how the movies impacted his life and his choices, but others felt forced–the movies didn’t really relate to what was happening in his life and only merited a mere mention instead of being the theme.

That said, I found this book to be a worthwhile and entertaining read.  I adore this genre–humor memoir–and am always on the lookout for fresh, new authors.  Emmett James fits the bill and I’m looking forward to reading more from him in the future.

Have you had any brushes with fame?  Maybe a walk-on role in a film or show?  Ever been to a taping of a show?  Any desire to act?

I’ve been to a few tapings and once won tickets and a limo ride to the MTV Music Awards at Radio City Music Hall.  When our limo pulled up out front, the crowds thought my friend and I were celebrities; I just put on my sunglasses and gave my best celebrity wave!

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